Monthly Archives: February 2012
I sat through half the Super Bowl yesterday waiting to see the shot I spent the last month of Saturday’s working on – and it wasn’t even in the commercial!
But here’s the extended trailer that includes the shot and several others that were left out of the shorter version that aired.
Michael Bay and Paramount are launching an unprecedented Oscar campaign for “Below the Line” artists.
I can’t remember another time when a director and studio actually made this kind of effort to promote the people who create the sound and visuals effects for their film.
I certainly prefer this: